Italo Cristalli (1879-1932)

Italo Cristalli was a spinto tenor from Piacenza, Italy who made his opera debut in "La Boheme" in Torino in the year 1900. He studied at the Musical High School of Piacenza with Tito Piroli and he studied in Florence with singer-composer Corrado Pavesi-Negri.

Cristalli enjoyed a substantial international career for many years. He was successful as a verismo singer, with a distinct sense of style, clarity and command in his voice. He was one of the few Italian singers who had a voice for the works of Wagner. He performed throughout Italy and in 1911 he joined Pietro Mascagni for a series of concerts in South America. He came to the United States and sang with the Metropolitan Opera of New York from 1913 to 1914.

During his year with The Met Cristalli was one of the few tenors who had the honor of singing with the great conductor Toscanini, the other tenors being Enrico Caruso and Giovanni Martinelli. He sang tenor in an opening act preceding Caruso’s performance on several nights, including his last performance with The Met in Atlanta, Georgia on May 2, 1914.

By the mid-1920's Cristalli returned to his home town of Piacenza and only gave performances in smaller, out-of-the-way locations. He died at the early age of 52.

Italo Cristalli was the singing teacher of Julian Miller.

Corrado Pavesi-Negri (1843-1920)

Singer-composer Corrado Pavesi-Negri brought a wealth of life experience to his art. He had studied jurisprudence at the University of Parma and he also fought in the wars of Italian independence. He had a talent for learning different languages and he traveled a great deal in Europe.

Pavesi-Negri studied music and singing with Giovanni Quacquerini, Giovanni Rossi and Amilcare Ponchielli. He was made a master composer in the Academia Filarmonica of Bologna in 1877, and he wrote and published a biography of singer Rosmunda Pisaroni.

Pavesi-Negri lived in Florence, Italy for 36 years, where he concentrated his efforts as a singing teacher, producing some of the more accomplished students of his day, including Italo Cristalli, Angelo Masini, Amedeo Bassi, Enrico Ventura and Nunzio Rapisardi. Pavesi-Negri himself was also known to be a fine baritone singer who gave some beautiful performances during his lifetime.

Eventually he retired to his hometown of Piacenza, Italy, where he was a great support to the Musical High School there. He left his entire library to them after his death.

Amilcare Ponchielli (1834-1886)

Amilcare Ponchielli was a Bel Canto composer of the 19th Century. His tenor aria "Cielo e Mar" in the opera La Gioconda embodies the true spirit of Bel Canto singing because it requires the singer to really use his imagination and art to create a dreamy, heavenly effect that the audience can clearly understand.

Ponchielli suffered in his early career because he was ill-equipped to negotiate the politically driven, back-biting world of the established music societies of his day and the wealthy bourgeoisie which controlled them. For a time he was forced to take whatever work he could find, taking jobs such as band leader in Piacenza and in Cremona. He was known among his peers to be a man of absolute honesty and moral rectitude. He believed that success in any musical career should be based solely on true ability and professionalism and a true love of the art.

Ponchielli was known to feel strongly against any pressure from the impresario who employed him to make his compositions too complicated. He was a proponent of simple, straightforward melody and clarity that was not bogged down in confusion. He was a contemporary of Giuseppi Verdi, who mourned the occasion of Ponchielli’s death, saying the world has lost "a worthy man and a most distinguished artist."

Amilcare Ponchielli was the teacher of Giacomo Puccini, Pietro Mascagni and Corrado Pavesi-Negri.